Cover Image   
William Golding, Nobel Prize-winning author of Lord of the Flies
photo credit: guardian.co.uk

FALL SEMESTER--English 101: Composition 1

SPRING SEMESTER--English 210: Introduction to Literature


M
att Christensen
scholarlynx.blogspot.com
scholarlynx.wikispaces.com

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101

210

 

08/13/12

What we do in class

Due Today

Monday 8/13 Football begins: GO LYNX!  
Tuesday 8/14    
Wednesday 8/15    
Thursday 8/16    
Friday 8/17    
     

08/20/12

What we do in class

Due Today

Monday 8/20 trade (wo)Manhood essays; syllabus & college class registration (Wo)Manhood Essay
Tuesday 8/21 syllabus as informational text; Term Tuesday--euphemism; first essay directions  
Wednesday 8/22 Sentences: Grammatical classification; Functional classification; & Rhetorical classification 3 critiques per page
Thursday 8/23 Sentences: building first essay with handbook; Art of Styling Sentences=Final Exam preparation  
Friday 8/24 Sentences: building first essay with handbook
PREZI for polishing
 
     

08/27/12

What we do in class

Due Today

Monday 8/27 LAB MLA setup and essay building PREZI; email & blog work 3 critiques per page
Tuesday 8/28 Sentences: syntax quiz; Term Tuesday--syntax  
Wednesday 8/29 Sentences: essay development workshop  
Thursday 8/30 Sentences: outlining & polishing Reflection blog task
Friday 8/31 Sentences: small-group workshop PREZI old & polished (Wo)Manhood essays
     

09/03/12

What we do in class

Due Today

Monday 9/3 No classes  
Tuesday 9/4 LAB Term Tuesday--altruism (CHALLENGE DAY)  
Wednesday 9/5 syntax quiz; workshop with title emphasis  
Thursday 9/6 LAB to type essays  
Friday 9/7 symposiums & handbook exercises rough draft of Classification essay due
     

09/10/12

What we do in class

Due Today

Monday 9/10 LAB--master those ten tasks that must be included  
Tuesday 9/11 Symposiums after handbook chapter 42; Term Tuesday--juxtaposition  
Wednesday 9/12 Symposiums after handbook chapter 43; vocabulary quiz Dress up as a protagonist or antagonist--or as an author--to earn literary bonus points.
Thursday 9/13 handbook chapter 44 to bolster sentences Essay 1: Classification (p. 119); Reflection blog task
Friday 9/14 Homecoming!  
     

09/17/12

What we do in class

Due Today

Monday 9/17 LAB to embark on Comparison & Contrast  
Tuesday 9/18 Mrs. Stemwedel  
Wednesday 9/19 syntax quiz & symposiums  
Thursday 9/20 handbook exercises--45, 29, & 30  
Friday 9/21 LAB musical chairs in lab to improve peers' essays rough draft of Comparison & Contrast due
     

09/24/12

What we do in class

Due Today

Monday 9/24 LAB to refine in structured silence  
Tuesday 9/25 11-20 inquiries, then symposium; Term Tuesday--MLA  
Wednesday 9/26 handbook exercises to raise essay grades with enhanced sentence variety; vocabulary quiz 1  
Thursday 9/27 symposiums Blog task
Friday 9/28 pass & polish; begin essay 3 Essay 2: Comparison & Contrast (p. 120)
     

10/01/12

What we do in class

Due Today

Monday 10/1
early dismissal
LAB to list reasons a phenomenon exists  
Tuesday 10/2
early dismissal
Speculation practice (group symposiums too).  WHY is Saturday School full?  WHY is pizza so amazingly popular?  Term Tuesday--  
Wednesday 10/3 Chapters 15-18--MLA; vocabulary quiz 2  
Thursday 10/4 LAB to develop content  
Friday 10/5 No classes  
     

10/08/12

What we do in class

Due Today

Monday 10/8 No classes  
Tuesday 10/9 LAB for musical chairs or research; Term Tuesday--citation  
Wednesday 10/10 in-text citations, paraphrasing; vocabulary quiz 3  
Thursday 10/11 syntax quiz and chapters 15-18 clarifications Reflection blog task
Friday 10/12 swap and refine Causal rough draft due
     

10/15/12

What we do in class

Due Today

Monday 10/15 LAB for musical chairs  
Tuesday 10/16 juxtapose previous essays; Term Tuesday--  
Wednesday 10/17 vocabulary quiz 1-3  
Thursday 10/18 LAB to polish  
Friday 10/19 begin narrative essay Essay 3: Causal (p.121)
     

10/22/12

What we do in class

Due Today

Monday 10/22 writing exercises to bolster narrative abilities: suspense, non sequitur, dramatic effects, profound prose--terrific sample storytelling in Wall-E  
Tuesday 10/23 pods to gauge audience; Term Tuesday--pique  
Wednesday 10/24 six-word stories like Ernest Hemingway; vocabulary quiz 4  
Thursday 10/25 sculpture poetry to practice figurative language and literary devices NORTH GYM  
Friday 10/26 sculpture poetry to practice figurative language and literary devices NORTH GYM  
    ACT Saturday

10/29/12

What we do in class

Due Today

Monday 10/29 LAB to generate narratives  
Tuesday 10/30 LAB ; Term Tuesday--segue  
Wednesday 10/31 vocabulary quiz 5 & George Orwell's "Shooting an Elephant"  
Thursday 11/1 literary devices practice; final exam fulfillment  
Friday 11/2 swap to refine and polish Narrative rough draft due
     

11/05/12

What we do in class

Due Today

Monday 11/5 LAB to generate narratives  
Tuesday 11/6 audience practice in groups--reading aloud (sound test); Term Tuesday--  
Wednesday 11/7 vocabulary quiz 6 & final exam fulfillment  
Thursday 11/8 syntax practice to include variety in essays blog task
Friday 11/9 read part or all to enjoy--aloud (theatrically) for bonus Essay 4: Narrative (p. 116)
     

11/12/12

What we do in class

Due Today

Monday 11/12 No classes  
Tuesday 11/13 Term Tuesday--Logos, Ethos, Pathos & C.H.E.S.S. rhetoric strategies  
Wednesday 11/14 My $2000 letter to Wellmark Blue Cross-Blue Shield; vocabulary quiz 4-6  
Thursday 11/15 LAB  
Friday 11/16 LAB  
     

11/19/12

What we do in class

Due Today

Monday 11/19 LAB  
Tuesday 11/20 The $1500 bat removal; swap to refine & polish; Term Tuesday--rhetoric Argumentation rough draft
Wednesday 11/21
early dismissal
vocabulary quiz 1-6  
Thursday 11/22 No classes  
Friday 11/23 No classes  
     

11/26/12

What we do in class

Due Today

Monday 11/26 LAB  
Tuesday 11/27 LAB  
Wednesday 11/28 vocabulary quiz 7  
Thursday 11/29 41-50 final exam mandates? All C.H.E.S.S. strategies? Each of Aristotle's "three Musketeers" (logos, ethos, pathos)?  
Friday 11/30 debates!  
     

12/03/12

What we do in class

Due Today

Monday 12/3 debates!  
Tuesday 12/4 My letter as Lily to the Chicago Bears--using Logos, Ethos, Pathos to get what you need/want/expect; Term Tuesday--ambience Essay 5: Argumentation
Wednesday 12/5 vocabulary quiz 8; semester test preparation  
Thursday 12/6 semester test preparation blog task
Friday 12/7 LAB to type letters  
     

12/10/12

What we do in class

Due Today

Monday 12/10 LAB to finish & print letters  
Tuesday 12/11 semester test preparation; Term Tuesday--"examination"  
Wednesday 12/12 vocabulary quiz 9 & semester test preparation  
Thursday 12/13 semester test review  
Friday 12/14 semester test review  
     

12/17/12

What we do in class

Due Today

Monday 12/17 semester test review  
Tuesday 12/18 study & review  
Wednesday 12/19 semester test 8:00 a.m.  
Thursday 12/20    
Friday 12/21    
     

12/24/12

What we do in class

Due Today

Monday 12/24 No classes  
Tuesday 12/25 No classes  
Wednesday 12/26 No classes  
Thursday 12/27 No classes  
Friday 12/28 No classes  
     

12/31/12

What we do in class

Due Today

Monday 12/31 No classes  
Tuesday 1/1 No classes  
Wednesday 1/2 No classes  
Thursday 1/3 No classes    
Friday 1/4 No classes  
     

01/07/13

What we do in class

Due Today

Monday 1/7 English 210: Introduction to Literature--

MONSTROSITY WITHIN

Lord of the Flies by William Golding with literary criticism & theory PREZI

On paper to be handed in: in as few sentences as possible, summarize the novel, being certain to include all salient sections.  Your reading work shall be rewarded.

1. Lord of the Flies read, studied, & annotated

2. The Lion King film viewed carefully & and the prezi studied thoroughly

Tuesday 1/8 Lord of the Flies: literary criticism and theory LENSES; Term Tuesday--allegory  
Wednesday 1/9 Lord of the Flies: literary criticism and theory LENSES  
Thursday 1/10 Lord of the Flies: forum quiz blog task
Friday 1/11 Lord of the Flies: write to respond to my essay  
     

 01/14/13

What we do in class

Due Today

Monday 1/14 MONSTERS OF THE MIND

One Flew Over the Cuckoo's Nest by Ken Kesey: experimental fiction techniques

 
Tuesday 1/15 One Flew Over the Cuckoo's Nest: Term Tuesday--functions of the novelist  
Wednesday 1/16 One Flew Over the Cuckoo's Nest: ; vocabulary quiz 7-9  
Thursday 1/17 One Flew Over the Cuckoo's Nest: blog task
Friday 1/18 One Flew Over the Cuckoo's Nest: forum quiz read study through page 101 (all content, from characters to plot, from symbols to themes, and from stable moments to delusional episodes)
     

01/21/13

What we do in class

Due Today

Monday 1/21 No classes  
Tuesday 1/22 One Flew Over the Cuckoo's Nest: anticipation guide, literary criticism flexbook, clarifications, and reading time; Term Tuesday--schizophrenia  
Wednesday 1/23 One Flew Over the Cuckoo's Nest: read and annotate after vocabulary quiz 1-9  
Thursday 1/24 One Flew Over the Cuckoo's Nest: forum quiz blog task; read study through page 201 (all content, from characters to plot, from symbols to themes, and from stable moments to delusional episodes)
Friday 1/25 One Flew Over the Cuckoo's Nest: literary criticism reinforcement  
     

01/28/13

What we do in class

Due Today

Monday 1/28 One Flew Over the Cuckoo's Nest: literary criticism reinforcement  
Tuesday 1/29 One Flew Over the Cuckoo's Nest: READ in class; Term Tuesday--extrapolate  
Wednesday 1/30 One Flew Over the Cuckoo's Nest: ; vocabulary quiz 10  
Thursday 1/31 One Flew Over the Cuckoo's Nest: forum quiz blog task; read study through page 325 (all content, from characters to plot, from symbols to themes, and from stable moments to delusional episodes)
Friday 2/1 One Flew Over the Cuckoo's Nest: extend forum particularly to include research from critics and scholars  
     

02/04/13

What we do in class

Due Today

Monday 2/4 One Flew Over the Cuckoo's Nest: extend forum particularly to include research from critics and scholars  
Tuesday 2/5 Cuckoo's Nest clip then Life of Pi: Term Tuesday--meta-fiction & "Author's Note"  
Wednesday 2/6 Life of Pi: vocabulary quiz 11, then read to produce opinions  
Thursday 2/7 Life of Pi: read and annotate  
Friday 2/8 Life of Pi: forum quiz page 93
     

02/11/13

What we do in class

Due Today

Monday 2/11
early dismissal
Life of Pi: read & annotate with archetypal criticism in mind  
Tuesday 2/12
early dismissal
Life of Pi: Term Tuesday--archetype blog task
Wednesday 2/13 Life of Pi: ; vocabulary quiz 12  
Thursday 2/14 Life of Pi: forum quiz page 169;
Friday 2/15 No classes  
     

02/18/13

What we do in class

Due Today

Monday 2/18 No classes  
Tuesday 2/19 Life of Pi: feat work; Term Tuesday--asymptote Cuckoo's Nest FILM TONIGHT 7:30
Wednesday 2/20 Life of Pi: vocabulary quiz 10-12  
Thursday 2/21 Life of Pi: forum quiz page 214; blog task
Friday 2/22 Life of Pi: read & annotate  
     

02/25/13

What we do in class

Due Today

Monday 2/25 Life of Pi: "What is my cousin reading?" Project page 286
Tuesday 2/26 Life of Pi: lab to craft letters  
Wednesday 2/27 Life of Pi: read  
Thursday 2/28 Life of Pi: forum quiz page 319; blog task
Friday 3/1 Life of Pi: Feat work & obtain novel  
     

03/04/13

What we do in class

Due Today

Monday 3/4 MONSTROUS "HOMES"

archetypes & experimental fiction: teach each other

 
Tuesday 3/5 The Bluest Eye: lab for Morrison research  
Wednesday 3/6 The Bluest Eye: Life of Pi exam--find on class wikispace (exam may be postponed, based on Martel's reply speed)  
Thursday 3/7 The Bluest Eye: forum quiz read study through page 93 (all content, from characters to plot, from symbols to themes, and from stable moments to delusional episodes)
Friday 3/8 The Bluest Eye: acknowledge Morrison's mastery  
     

03/11/13

What we do in class

Due Today

Monday 3/11 The Bluest Eye: feat work & Morrison interviews  
Tuesday 3/12 The Bluest Eye: feat work & Morrison archetypes; Term Tuesday--abject  
Wednesday 3/13 The Bluest Eye: feat work & Morrison devices  
Thursday 3/14 The Bluest Eye: forum quiz in three thirds blog task; read study through page 183 (all content, from characters to plot, from symbols to themes, and from stable moments to delusional episodes)
Friday 3/15 Show Feats Feat due
     

03/18/13

What we do in class

Due Today

Monday 3/18 Show Feats  
Tuesday 3/19 Show Feats / study Faulkner  
Wednesday 3/20 The Bluest Eye: read Hemingway  
Thursday 3/21 The Bluest Eye: forum with "Pantaloon in Black" finish The Bluest Eye & "Pantaloon in Black"
Friday 3/22 The Bluest Eye: read Chopin finish Bierce
   

 

03/25/13

What we do in class

Due Today

Monday 3/25

MONSTRUM, MONEO, AND MANIFESTO

Selected poetry: Hicks
 
Tuesday 3/26 Selected poetry: Hicks; Term Tuesday--scansion  
Wednesday 3/27 Selected poetry: Shakespeare  
Thursday 3/28
early dismissal
Selected poetry: Yeats & Thomas blog task
Friday 3/29 No classes  
     

04/1/13

What we do in class

Due Today

Monday 4/1 No classes  
Tuesday 4/2 Selected poetry: Eliot; Term Tuesday--explication  
Wednesday 4/3 no classes--Be The Change  
Thursday 4/4 Selected poetry: Lowell & Brooks  
Friday 4/5 Bishop  
     

04/08/13

What we do in class

Due Today

Monday 4/8 lab  
Tuesday 4/9 lab  
Wednesday 4/10 Selected poetry: Lee  
Thursday 4/11 north gym for sculpture  
Friday 4/12 essay work: write without me  
     

04/15/13

What we do in class

Due Today

Monday 4/15

THE GREEN-EYED MONSTER

The Tragedy of Othello, The Moor of Venice by William Shakespeare: context & test introduction
 
Tuesday 4/16 The Tragedy of Othello, The Moor of Venice: ; Term Tuesday--
PAC to view the splendor of Shakespeare
blog task
Wednesday 4/17 The Tragedy of Othello, The Moor of Venice: PAC to view the splendor of Shakespeare  
Thursday 4/18 SENIOR RETREAT  
Friday 4/19 The Tragedy of Othello, The Moor of Venice:
PAC to view the splendor of Shakespeare
15 insightful questions & comments
     

04/22/13

What we do in class

Due Today

Monday 4/22 presentation group work & Othello discussion  
Tuesday 4/23 presentation group work & Patrick Hicks introduction  
Wednesday 4/24 Poet & Professor Patrick Hicks of Augustana College  
Thursday 4/25 lab  
Friday 4/26 lab "musical chairs" ROUGH DRAFT DUE
     

04/29/13

What we do in class

Due Today

Monday 4/29 The Tragedy of Othello, The Moor of Venice: ACT I experience  
Tuesday 4/30 The Tragedy of Othello, The Moor of Venice: ACT II experience; Term Tuesday-- blog tasks
Wednesday 5/1 The Tragedy of Othello, The Moor of Venice: ACT III experience  
Thursday 5/2 The Tragedy of Othello, The Moor of Venice: ACT IV experience  
Friday 5/3 lab for essay work  
     

05/06/13

What we do in class

Due Today

Monday 5/6 lab for essay work  
Tuesday 5/7 The Tragedy of Othello, The Moor of Venice: ACT V experience; Term Tuesday--  
Wednesday 5/8 lab for essay work  
Thursday 5/9 essay work--print for peer edit Do the ode blog task (due May 15) instead of the Othello blog task, originally scheduled to be due today.
Friday 5/10 BOOK RETURN; read essays silently then loudly COMMON THREAD ESSAY
     

05/13/13

What we do in class

Due Today

Monday 5/13 review, culminate: write questions for test-taking teammates, then answer questions in team, then quiz each other on quotes  
Tuesday 5/14 Othello test  
Wednesday 5/15 assembly then exam preparation ode blog task
Thursday 5/16 review, culminate  
Friday 5/17 FINAL EXAM 9:00 a.m.  
     

05/20/13

What we do in class

Due Today

Monday 5/20    
Tuesday 5/21    
Wednesday 5/22    
Thursday 5/23    
Friday 5/24    
     

05/27/13

What we do in class

Due Today

Monday 5/27    
Tuesday 5/28    
Wednesday 5/29    
Thursday 5/30    
Friday 5/31    
 
Other Information and Extra Credit

LANGUAGE (GRADES 11-12)

Conventions of Standard English

L.11-12.1 Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.

    • L.11-12.1a Apply the understanding that usage is a matter of convention, can change over time, and is sometimes contested.
    • L.11-12.1b Resolve issues of complex or contested usage, consulting references (e.g., Merriam-Webster’s Dictionary of English Usage, Garner’s Modern American Usage) as needed.

L.11-12.2 Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.

Knowledge of Language

L.11-12.3 Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening.

    • L.11-12.3a Vary syntax for effect, consulting references (e.g., Tufte’sArtful Sentences) for guidance as needed; apply an understanding of syntax to the study of complex texts when reading.

Vocabulary Acquisition and Use

L.11-12.4 Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grades 11–12 reading and content, choosing flexibly from a range of strategies.

    • L.11-12.4a Use context (e.g., the overall meaning of a sentence, paragraph, or text; a word’s position or function in a sentence) as a clue to the meaning of a word or phrase.
    • L.11-12.4b Identify and correctly use patterns of word changes that indicate different meanings or parts of speech (e.g., conceive, conception, conceivable).
    • L.11-12.4c Consult general and specialized reference materials (e.g., dictionaries, glossaries, thesauruses), both print and digital, to find the pronunciation of a word or determine or clarify its precise meaning, its part of speech, its etymology, or its standard usage.
    • L.11-12.4d Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary).

L.11-12.5 Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.

    • L.11-12.5a Interpret figures of speech (e.g., hyperbole, paradox) in context and analyze their role in the text.
    • L.11-12.5b Analyze nuances in the meaning of words with similar denotations.

L.11-12.6 Acquire and use accurately general academic and domain-specific words and phrases, sufficient for reading, writing, speaking, and listening at the college and career readiness level; demonstrate independence in gathering vocabulary knowledge when considering a word or phrase important to comprehension or expression.

READING: INFORMATIONAL TEXTS (GRADES 11-12)

Key Ideas and Details

RI.11-12.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.

RI.11-12.2 Determine two or more central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to provide a complex analysis; provide an objective summary of the text.

RI.11-12.3 Analyze a complex set of ideas or sequence of events and explain how specific individuals, ideas, or events interact and develop over the course of the text.

Craft and Structure

RI.11-12.4 Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze how an author uses and refines the meaning of a key term or terms over the course of a text (e.g., how Madison defines faction in Federalist No. 10).

RI.11-12.5 Analyze and evaluate the effectiveness of the structure an author uses in his or her exposition or argument, including whether the structure makes points clear, convincing, and engaging.

RI.11-12.6 Determine an author’s point of view or purpose in a text in which the rhetoric is particularly effective, analyzing how style and content contribute to the power, persuasiveness or beauty of the text.

Integration of Knowledge and Ideas

RI.11-12.7 Integrate and evaluate multiple sources of information presented in different media or formats (e.g., visually, quantitatively) as well as in words in order to address a question or solve a problem.

RI.11-12.8 Delineate and evaluate the reasoning in seminal U.S. texts, including the application of constitutional principles and use of legal reasoning (e.g., in U.S. Supreme Court majority opinions and dissents) and the premises, purposes, and arguments in works of public advocacy (e.g., The Federalist, presidential addresses).

RI.11-12.9 Analyze seventeenth-, eighteenth-, and nineteenth-century foundational U.S. documents of historical and literary significance (including The Declaration of Independence, the Preamble to the Constitution, the Bill of Rights, and Lincoln’s Second Inaugural Address) for their themes, purposes, and rhetorical features.

Range of Reading and Level of Text Complexity

RI.11-12.10 By the end of grade 11, read and comprehend literary nonfiction in the grades 11–CCR text complexity band proficiently, with scaffolding as needed at the high end of the range.

By the end of grade 12, read and comprehend literary nonfiction at the high end of the grades 11–CCR text complexity band independently and proficiently.

 

              

READING: LITERATURE (GRADES 11-12)

Key Ideas and Details

RL.11-12.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.

RL.11-12.2 Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text.

RL.11-12.3 Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed).

Craft and Structure

RL.11-12.4 Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.)

RL.11-12.5 Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact.

RL.11-12.6 Analyze a case in which grasping a point of view requires distinguishing what is directly stated in a text from what is really meant (e.g., satire, sarcasm, irony, or understatement).

Integration of Knowledge and Ideas

RL.11-12.7 Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text. (Include at least one play by Shakespeare and one play by an American dramatist.)

(RL.11-12.8 not applicable to literature)

RL.11-12.9 Demonstrate knowledge of eighteenth-, nineteenth- and early-twentieth-century foundational works of American literature, including how two or more texts from the same period treat similar themes or topics.

Range of Reading and Level of Text Complexity

RL.11-12.10 By the end of grade 11, read and comprehend literature, including stories, dramas, and poems, in the grades 11–CCR text complexity band proficiently, with scaffolding as needed at the high end of the range.  By the end of grade 12, read and comprehend literature, including stories, dramas, and poems, at the high end of the grades 11–CCR text complexity band independently and proficiently.
 
    

SPEAKING & LISTENING (GRADES 11-12)

Comprehension and Collaboration

SL.11-12.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively.

    • SL.11-12.1a Come to discussions prepared, having read and researched material under study; explicitly draw on that preparation by referring to evidence from texts and other research on the topic or issue to stimulate a thoughtful, well-reasoned exchange of ideas.
    • SL.11-12.1b Work with peers to promote civil, democratic discussions and decision-making, set clear goals and deadlines, and establish individual roles as needed.
    • SL.11-12.1c Propel conversations by posing and responding to questions that probe reasoning and evidence; ensure a hearing for a full range of positions on a topic or issue; clarify, verify, or challenge ideas and conclusions; and promote divergent and creative perspectives.
    • SL.11-12.1d Respond thoughtfully to diverse perspectives; synthesize comments, claims, and evidence made on all sides of an issue; resolve contradictions when possible; and determine what additional information or research is required to deepen the investigation or complete the task.

SL.11-12.2 Integrate multiple sources of information presented in diverse formats and media (e.g., visually, quantitatively, orally) in order to make informed decisions and solve problems, evaluating the credibility and accuracy of each source and noting any discrepancies among the data.

SL.11-12.3 Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric, assessing the stance, premises, links among ideas, word choice, points of emphasis, and tone used.

Presentation of Knowledge and Ideas

SL.11-12.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks.

SL.11-12.5 Make strategic use of digital media (e.g., textual, graphical, audio, visual, and interactive elements) in presentations to enhance understanding of findings, reasoning, and evidence and to add interest.

SL.11-12.6 Adapt speech to a variety of contexts and tasks, demonstrating a command of formal English when indicated or appropriate.

The CCR anchor standards and high school grade-specific standards work in tandem to define college and career readiness expectations—the former providing broad standards, the latter providing additional specificity.

WRITING (GRADES 11-12)

Text Types and Purposes

W.11-12.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.

    • W.11-12.1a Introduce precise, knowledgeable claim(s), establish the significance of the claim(s), distinguish the claim(s) from alternate or opposing claims, and create an organization that logically sequences claim(s), counterclaims, reasons, and evidence.
    • W.11-12.1b Develop claim(s) and counterclaims fairly and thoroughly, supplying the most relevant evidence for each while pointing out the strengths and limitations of both in a manner that anticipates the audience’s knowledge level, concerns, values, and possible biases.
    • W.11-12.1c Use words, phrases, and clauses as well as varied syntax to link the major sections of the text, create cohesion, and clarify the relationships between claim(s) and reasons, between reasons and evidence, and between claim(s) and counterclaims.
    • W.11-12.1d Establish and maintain a formal style and objective tone while attending to the norms and conventions of the discipline in which they are writing.
    • W.11-12.1e Provide a concluding statement or section that follows from and supports the argument presented.

W.11-12.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content.

    • W.11-12.2a Introduce a topic; organize complex ideas, concepts, and information so that each new element builds on that which precedes it to create a unified whole; include formatting (e.g., headings), graphics (e.g., figures, tables), and multimedia when useful to aiding comprehension.
    • W.11-12.2b Develop the topic thoroughly by selecting the most significant and relevant facts, extended definitions, concrete details, quotations, or other information and examples appropriate to the audience’s knowledge of the topic.
    • W.11-12.2c Use appropriate and varied transitions and syntax to link the major sections of the text, create cohesion, and clarify the relationships among complex ideas and concepts.
    • W.11-12.2d Use precise language, domain-specific vocabulary, and techniques such as metaphor, simile, and analogy to manage the complexity of the topic.
    • W.11-12.2e Establish and maintain a formal style and objective tone while attending to the norms and conventions of the discipline in which they are writing.
    • W.11-12.2f Provide a concluding statement or section that follows from and supports the information or explanation presented (e.g., articulating implications or the significance of the topic).

W.11-12.3 Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

    • W.11-12.3a Engage and orient the reader by setting out a problem, situation, or observation and its significance, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events.
    • W.11-12.3b Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters.
    • W.11-12.3c Use a variety of techniques to sequence events so that they build on one another to create a coherent whole and build toward a particular tone and outcome (e.g., a sense of mystery, suspense, growth, or resolution).
    • W.11-12.3d Use precise words and phrases, telling details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters.
    • W.11-12.3e Provide a conclusion that follows from and reflects on what is experienced, observed, or resolved over the course of the narrative.

Production and Distribution of Writing

W.11-12.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)

W.11-12.5 Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience.

W.11-12.6 Use technology, including the Internet, to produce, publish, and update individual or shared writing products in response to ongoing feedback, including new arguments or information.

Research to Build and Present Knowledge

W.11-12.7 Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation.

W.11-12.8 Gather relevant information from multiple authoritative print and digital sources, using advanced searches effectively; assess the strengths and limitations of each source in terms of the task, purpose, and audience; integrate information into the text selectively to maintain the flow of ideas, avoiding plagiarism and overreliance on any one source and following a standard format for citation.

W.11-12.9 Draw evidence from literary or informational texts to support analysis, reflection, and research.

    • W.11-12.9a Apply grades 11–12 Reading standards to literature (e.g., “Demonstrate knowledge of eighteenth-, nineteenth- and early-twentieth-century foundational works of American literature, including how two or more texts from the same period treat similar themes or topics”).
    • W.11-12.9b Apply grades 11–12 Reading standards to literary nonfiction (e.g., “Delineate and evaluate the reasoning in seminal U.S. texts, including the application of constitutional principles and use of legal reasoning [e.g., in U.S. Supreme Court Case majority opinions and dissents] and the premises, purposes, and arguments in works of public advocacy [e.g., The Federalist, presidential addresses]”).

Range of Writing

W.11-12.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes.

             

 

          

 

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